Women's Prize Winners 2024

It's been such a pleasure following the Women's Prize season this year especially since they created a new Non-Fiction award alongside the Fiction Prize. It pushed me to read some fascinating memoirs, extended essays and historical examinations such as “How to Say Babylon”, “Thunderclap”, “A Flat Place” and “Doppelganger” which I probably wouldn't have got around to reading otherwise. So many books listed for the fiction prize were very good and some were excellent. I was especially glad to read the longlisted titles “In Defence of the Act”, “Ordinary Human Failings” and “Nightbloom”. And it was great to see a favourite that I read last year “Western Lane” nominated for another award. The fiction shortlisted books were all of high quality so it's nice to feel in the lead up to the ceremony that I'd be glad to see any of the nominated books win.

I was absolutely delighted to be invited to the award ceremony and made a vlog about the experience. Though it was a bit drizzly at this outdoor party there was still a great atmosphere. My favourites to win were “Enter Ghost” and “A Flat Place” but I'm also a big fan of the winning books “Brotherless Night” and “Doppelganger”. The speeches that V.V. Ganeshananthan and Naomi Klein gave were very impassioned and moving. Both books tell very specific stories that also say much more about larger social and political issues in the world today. It's been wonderful discussing all the nominated books this year with my friend Anna and readers online.

What do you think of the winners? Did you favourites win?

Women's Prize Shortlist 2024

Here are the 6 novels shortlisted for the 2024 Women's Prize for Fiction! A new video is up on my YouTube channel giving my instant reaction to the list and discussing each book: https://www.youtube.com/watch?v=Amh06jLxKeY

It's been a pleasure reading all of these excellent novels. It's especially interesting how this fiction approaches similar subject matter from different angles – generations of family life, individuals caught in large scale conflict, cultural displacement and motherhood. Some use multiple perspectives to show different angles to a story while others are firmly rooted in a first person point of view. There are tales set in the distant past and others that take place in our present time.

There's a high level of regional diversity from Ireland to Sri Lanka to Singapore to New South Wales to Palestine. There are highly established authors such as Anne Enright and Kate Grenville as well as debut novelist Aube Rey Lescure. It also feels like these new titles by Isabella Hammad, V.V. Ganeshananthan and Claire Kilroy are overdue for prize attention. I think it's a very strong group of books and would highly recommend reading all of them.

“The Wren, The Wren” was the first novel I read this year and, while I think some of Enright's other books are stronger, I thoroughly enjoyed how this tale evokes the life of a mother and her adult daughter while slyly skewering the patriarchy – especially arrogant writers. I was completely captivated by “River East, River West” which so creatively presents a different kind of strained mother/daughter relationship with the introduction of a complex step-father. I read “Soldier, Sailor” right after the longlist was announced and the high praise this harrowing novel about early motherhood has been getting is well deserved. I've read “Restless Dolly Maunder”, “Brotherless Night” and “Enter Ghost” more recently so I'm still processing my thoughts about them but found them all engrossing.

It's a shame “In Defence of the Act”, “Western Lane”, “Ordinary Human Failings”, “Nightbloom” and “Hangman” didn't make the cut but this is how competitions go. We've also had such interesting conversations about “And Then She Fell” with my online book club. However, honestly, it's not really about winners and losers but the pleasure of discovering and discussing books I might not otherwise read. I've certainly found many I enjoyed from this year's prize.

What do you think of the shortlist?

Women's Prize Longlist 2024

Here are the 16 novels longlisted for the 2024 Women's Prize for Fiction! It's an eclectic group that includes contemporary novels, historical fiction, political tales, coming of age stories and sci-fi. A new video is up on my YouTube channel unboxing and discovering all these titles: https://www.youtube.com/watch?v=2j7ytX2h388

It's quite exciting how there are stories here which span the globe including Canada, the Caribbean, Great Britain, Ireland, Africa, the Middle East, Australia, East Asia and Sri Lanka. Former Women's Prize winner Kate Grenville is here alongside Anne Enright who has been nominated multiple times and former longlistee V.V. Ganneshananthan. There are 8 debut novels including Chetna Maroo whose novel “Western Lane” was shortlisted for the 2023 Booker Prize and it was one of my favourite books that I read last year.

I only correctly predicted four on this list and I've currently only read three of them. It's great to see “The Wren, The Wren” here as it was the very first novel I read this year and I was completely taken by this clever family story. I also was enthralled by “River East, River West” so I'm thrilled this debut is getting more attention.

I'd already been eager to read “Soldier Sailor”, “Nightbloom” and “8 Lives of a Century-Old Trickster” so I'll probably start with them, but I'm eager to explore more of these titles and might read by whim. Hopefully I'll have read most of these books by the time the winner is announced (alongside the first winner of the Women's Prize for Non-Fiction) on June 13.

It's always such a pleasure discovering new books through this prize and finally getting to some novels I've been meaning to read. What do you think of the longlist? Which novels do you want to read first?

Women's Prize Winner 2023

We've come to the end of another season of The Women's Prize for Fiction and what a fantastic ride it's been! I think the 2023 shortlist has some of the best overall quality we've seen in recent years. Such a great balance between two highly accomplished previous winners, really exciting debut novels and one very contentious book. But, of course, there could only be one champion. It was a thrill to be invited to the ceremony to see the winner being announced and I was overjoyed to have the opportunity to meet and chat with Barbara Kingsolver. She was so gracious and nice! We discussed how the opioid epidemic has also hit hard in my home state of Maine as well as the plot connections between her novel and Dickens' classic. Interestingly, she noted the character of Matt Peggot (known as “Maggot”) doesn't have an equivalent in “David Copperfield” because Dickens didn't know any boys like Maggot but she felt he should have a presence in her story. Well, the spirit of Dickens must have been cheering her on from the sidelines because Kingsolver was declared the winner and it was so exciting to be standing right in front of the stage to see it happen. She delivered such a heartfelt speech. Kingsolver is the first author to have won the Women's Prize twice! You can watch my vlog about going to the ceremony and party here: https://www.youtube.com/watch?v=wA1A0bBXtYs

This is another win for “Demon Copperhead” which was already declared the co-recipient of the Pulitzer Prize for Fiction (alongside Hernan Diaz's “Trust”) and it's also been shortlisted for this year's Orwell Prize for Political Fiction. I fully understand the sentiment (rumoured to be shared by Kingsolver herself) that it would have been more beneficial for the prize to have gone to one of the debut authors on the list as their books and careers would be more enhanced by the attention. Kingsolver’s novel has already sold very well because the author is so well established and it was an Oprah’s book club choice. Certainly “Black Butterflies”, “Fire Rush” and “Trespasses” all contain such unique voices and present such vivid senses of place. I loved reading them and I hope more people will continue to read them. But the criteria for this book prize isn't to award the most promising new writer of the year. It's for the best novel written by a woman published in the past year. In my opinion, “Demon Copperhead” is the most skilful and powerful book on the shortlist so I'm absolutely delighted it's taken the prize!

Of course, I also can't help taking a little smug satisfaction in the fact that I've been advocating for this novel to win the Women's Prize even before the longlist was announced – as you can see in my predictions video with Anna. I made a video earlier this year explaining why I think “Demon Copperhead” should win every prize it's eligible for. And it looks like the novel is doing just that as it's sweeping all the book awards. It may take the surprise out of any book contest this year, but it's also a very worthy winner. I've heard from some readers who haven't been as moved by this novel as I was, but I know it's also touched many readers' hearts and minds. I'm grateful we have a great diversity of literature and points of view. But excellence is excellence. “Demon Copperhead” isn't just a modern retelling of a classic; it is a modern classic.

Women's Prize Shortlist 2023

Here are the 6 novels shortlisted for the Women's Prize for Fiction! A new video is up on my YouTube channel where I react to each title as it's revealed and discuss all the books. I’m chuffed 4 out of my 6 predictions made the cut!

I am thrilled (and relieved) that “Demon Copperhead” made it! I've been rooting for this novel to win since before the longlist was announced so it's so exciting that it's a finalist. But you never know which way the judges will go! “The Marriage Portrait” is also such an accomplished historical novel that I loved reading. And if Kingsolver or O'Farrell win they'll be the first authors to have won the award twice!

There are also such impressive debut novels on the list. “Fire Rush” has the most striking voice and it's a story with a powerful message. It's enthralling how the psychological detail of “Trespasses” brings the reality of one woman's experience to life amidst The Troubles. I've not read “Black Butterflies” yet but I've heard such good things about it.

Then there are the dolphins! I've also not read “Pod” yet but I've seen such different opinions I'm so curious to see what I make of it. I was a fan of her previous novel “The Bees”. So we will see!

What do you think about the shortlist? Are there any you hope will win or any you're excited to read?

Women's Prize Longlist 2023

Here are the 16 novels longlisted for the 2023 Women's Prize for Fiction! It's an exciting and (mostly) surprising group of books. A new video is up on my YouTube channel discussing all these titles with some fun info about the list as a whole: https://www.youtube.com/watch?v=sf6MJ_Xb4TQ

There are 9 debuts including some which have featured on other prize lists and some I've not come across before. Amongst these is “Trespasses” by Louise Kennedy which I have read and it was also shortlisted for the Waterstone's Debut Book Award. It's such a moving and unique account of a Catholic teacher who has an affair with a married man amidst The Troubles in Northern Ireland.

I'm also thrilled to see “Glory”, “The Marriage Portrait” and “Demon Copperhead” which are all such accomplished immersive reads. In my predictions video with Anna I declared that Barbara Kingsolver will win this year's prize and I'm sticking with that speculation. To be fair, this is hardly an imaginative guess given that Kingsolver has won the award before, this novel is already very popular and she's one of the most respected American authors working today. But I really loved this story and I'm so glad that (even more) people will be reading it now. And... I may change my mind about what book I want to win after reading more of this year's nominations.

I've currently read only 4 of the novels from the list and I'll probably next read “Cursed Bread”, “I'm a Fan” or “Wandering Souls”. But there is so much enticing fiction here which all appears to be high quality (no fluff) so we're spoiled for choice!

What will you read first? What do you think of the list as a whole? Do you have an early prediction about what will win? Any books you're gutted not to see on the list? I'm disappointed “Nightcrawling”, “Fight Night” and “Tomorrow and Tomorrow and Tomorrow” weren't listed... but hey ho that's how it goes with book prize lists. Nevertheless, this is a great looking group!

Women's Prize Longlist 2022

The longlist for the 2022 Women's Prize has been announced! There are a lot of surprises and there are quite a few ghosts/spirits in these stories. I've posted a video on my YouTube channel discussing the 16 novels. There are at least four dubut novels. A number of these authors have been longlisted before including Rachel Elliot, Charlotte Mendelson, Leone Ross, Catherine Chidgey and Elif Shafak. There are a number of authors from the UK and America, but some come from Trinidad and Tobago, New Zealand and Turkey.

I'm especially thrilled to see This One Sky Day by Leone Ross and Great Circle by Maggie Shipstead listed as these were two of my favourite novels that I read last year. I'm also delighted to see that The Paper Palace by Miranda Cowley Heller and The Island of Missing Trees by Elif Shafak are nominated. Given how much Anna described her dislike of Heller's novel in our predictions video, I'm sure there will be lots of good debate about this book! 

I'm excited to see The Sentence by Louise Erdrich, Build Your House Around My Body by Violet Kupersmith, The Book of Form and Emptiness by Ruth Ozeki, Sorrow and Bliss by Meg Mason, The Final Revival of Opal & Nev by Dawnie Walton and The Exhibitionist by Charlotte Mendelson listed as I've been wanting to read these anyway. I'd not heard that Rachel Elliott has a new novel out but I really enjoyed her previous novel Whispers Through a Megaphone (also Women's Prize longlisted) so I'm looking forward to reading Flamingo. I'd not heard of the novels by Lisa Allen-Agostini, Lulu Allison, Kirsty Capes, Catherine Chidgey and Morowa Yejidé but they all sound fascinating so it's wonderful that this list has tipped me off to books I probably wouldn't have encountered otherwise. 

Currently I've only read 4 books from this group. Before it was announced I didn't think I'd read the whole longlist, but now I've looked through them all they sound really good. So I'm going to aim to read all 16 before the shortlist is announced on April 27th but it'll depend on how busy I am. I might start by reading The Bread the Devil Knead or The Exhibitionist. It's definitely surprising that Sally Rooney, Lauren Groff, Hanya Yanagihara and Honoree Fanonne Jeffers didn't make the list.

What do you think of the longlist? Are you planning to read some or all the books nominated? Any books that you're disappointed didn't make the cut? 

Let me know! 

The Women's Prize for Fiction Shortlist 2021

Today was initially scheduled to be the day when the winner of this year's Women's Prize for Fiction would be announced. But, because of restrictions due to the ongoing pandemic, it's now been moved to September 8th. That gives more time for people to read or reread the six novels that have been shortlisted and discuss them. I've certainly been enjoying hearing everyone's thoughts about the books and listening to the Women's Prize podcast where groups of readers have been engaging in fascinating conversations about this stellar fiction. 

I thought it's worth posting my brief thoughts and reflections about this year's shortlist beyond the silly live reaction video I made with Anna. Some of the best books I've read so far this year are on the shortlist including “Transcendent Kingdom” and “Unsettled Ground”. I first read “The Vanishing Half” last summer and it was certainly one of the best books I read last year. One of the great things about book prizes is that it encourages you to compare novels which are very different from each other. But, by considering them side by side, you can find surprising common themes or ideas being dramatised in different contexts.

In a sense, the narrators of both “No One is Talking About This” and “Piranesi” are trapped in a kind of labyrinth of the mind. The mothers in both “The Vanishing Half” and “Unsettled Ground” conceal essential truths from their daughters. The characters in “Transcendent Kingdom” and “How the One-Armed Sister Sweeps Her House” all must live with the consequences of ideologically and economically divided societies. Rather than viewing these novels in competition with each other I think it's more pleasurable to consider how their different points of view can help us better understand these issues and the many other matters that they raise.

Of course, I connected with some books more than others but I certainly appreciated reading all six of these shortlisted novels – as well as many others on the longlist such as “Luster” and “Detransition, Baby”. So I wouldn't be mad to see any one of the novels up for this year's prize win. If I had to pick a favourite to get behind it'd probably be “Transcendent Kingdom”. Despite it only being Gyasi's second novel I think it's tremendously accomplished and confronts a lot of issues that we normally swerve around. It's a story I found incredibly moving and that I keep reflecting upon. But, since we still won't find out the winner for another couple of months, I hope there will be more discussion and debate about these books because there's certainly a lot more to be said and enjoyed from delving into these wonderful stories.

Women's Prize Longlist 2021

I've been looking forward to following the Women's Prize for Fiction this year more than usual because it's just a joyous communal reading activity and a relief from the stress of the world. So I'm excited for all the discussion and debate that we'll have over the next few months – especially because this is a really interesting group of novels and there's a lot to say about them. There's a real mixture of styles and subject matter in these novels. Six of the authors are debut novelists. For some such as Brit Bennett, Susanna Clarke and Yaa Gyasi this is their sophomore novel. Other authors such as Amanda Craig and Clare Chambers have written quite a few novels before so it's great to see them receiving award attention. Ali Smith is a previous winner of the Women's Prize. Avni Doshi was also shortlisted for the Booker Prize last year. 

This is the fifth year that Anna James and I have got together to make a predictions video. Both of us found it a challenge to only include sixteen books because there's such a wide selection of quality novels from the past year to choose from. Between us we only managed to guess six correctly. However, I've actually already read nine on the longlist so I can attest that many of these books are truly excellent. Some titles such as “The Vanishing Half”, “Burnt Sugar” and “Summer” are among my favourite books that I read last year. Other novels I've read this year and loved include “Piranesi”, “Luster” and “Transcendent Kingdom”. 

I had quite mixed feelings about “No One Is Talking About This” but it'll be really interesting to see how more people respond to this novel. I feel like it's a book that had an instant fan base because of Patricia Lockwood's popularity on social media so I'm keen to hear what a wider readership that's not familiar with her online personality makes of it. I'm currently reading “Unsettled Ground” by Claire Fuller and I'm so happy to see this on the list because I've been such a fan of her work since her first novel. I also look forward to reading the other novels on the longlist. 

It's going to be really difficult to call what might be shortlisted this year – let alone what might actually win. Some of these novels are so strong it'll be a challenge to hold up one as more worthy than another, but that's also the fun of these competitions. Maybe it’s because I’m still so enthralled with its story having read it recently, but if I had to make an early guess I’d predict “Transcendent Kingdom” will win. I may feel differently after I finish reading all of the longlist though! You can watch me summarize and discuss all of the books here: https://www.youtube.com/watch?v=OAS01UzkdOk 

What do you think of the list as a whole? Any early favourites? What books on this list are you most looking forward to reading? 

The Women’s Prize for Fiction Shortlist 2020

Here are the six novels on this year’s Women’s Prize for Fiction shortlist! How are we all feeling about these picks. Good choices, right? I think it might be the best group in years as they’re a really strong and varied group of contenders. The stories range from the Bronze age to Tudor times to modern-day NYC. The shortest novel on the list is 208 pages and the longest is 882! I give a lot more of my thoughts on this year’s list in a new video I just posted here: https://www.youtube.com/watch?v=3M75MGjEYbk

I must admit, I’m probably most happy to see “Weather” as I loved this short impactful novel and I’m glad it’s getting more attention. Of course, “Girl, Woman, Other” is excellent and yes deserves more attention even though it already co-won The Booker Prize. Will Evaristo get to stand on her own in the spotlight this time? I’m also glad “Dominicana” is on the list as I’m eager to read it and this nomination is the final push I need to get me to read “The Mirror and the Light” soonish (rather than letting it gather dust on my shelf for years with the intention to read it one day ) “A Thousand Ships” is really enjoyable (even for someone who has read a lot of the recent mythological retellings.) And I’m part way through reading “Hamnet” now - I’m enjoying it but not blown away by it yet (as many people have been) but it still might grab me.

I’m disappointed “Actress” and “The Dutch House” didn’t make the cut but that’s how prizes go!
How do you feel about the list? Any favourites or longlisted titles you’re sad not to see? Will you read all six before the winner is announced in September? I’m glad we have this to look forward to!

The Women’s Prize for Fiction Longlist 2020

As usual, I’ve been greatly anticipating what will be listed for this year’s Women’s Prize for Fiction and this year’s list was announced at midnight. Anna and I made a video speculating what might be on the list and between us we managed to guess eight out of the sixteen titles correctly! I’ve only read three of them but I am thrilled to see “Girl, Woman, Other”, “Weather” and “The Dutch House” listed as I think they are all brilliant in different ways. The rest of the novels are a great balance between books I’ve been eager to read and a couple (“Dominicana” and “Nightingale Point”) that I wasn’t previously aware of.

I’ve been meaning to read “A Thousand Ships” since Anna enthusiastically endorsed it before it was even published last year. “Queenie” is another one that’s been high on my TBR since it published and one I wanted to get to when it was listed for the Costa Book Awards a couple months ago. I was given a copy of “Girl” for Christmas and now I can grab it off my shelves. Anne Enright is one of my favourite authors so a new novel by her is always a cause for celebration and I’ve heard great things about “Actress”.  Jacqueline Woodson is an author I’ve always meant to read and “Red at the Bone”, her most recent novel for adults, has received great critical acclaim. As Anna mentioned in our video, “Dominicana” is a novel that’s often been mentioned amidst the whole “American Dirt” controversy within the lists of alternative suggestions for books by Latinx authors.

In the past couple of weeks I’ve been reading the first two novels in the Cromwell trilogy so I’m now fully on the Hilary Mantel train and ready for “The Mirror and the Light” which is coming out this week and without a doubt one of the publishing events of the year. The only trouble is that it’s over 900 pages long so it’s going to be a challenge to balance my reading of this alongside the other longlisted titles as well as books listed for this year’s International Booker Prize. Lots of reading ahead! The novel I’m most looking forward to is Maggie O’Farrell’s “Hamnet” which has amazing advance praise and is an author I’ve meant to read again since I loved her novel “This Must Be the Place”.

There’s an impressive mixture of really famous authors listed from recent Booker prize winner Bernardine Evaristo to previous Women’s Prize winner Ann Patchett as well as popular favourites such as Candice Carty-Williams and Claire Lombardo whose “The Most Fun We Ever Had” I’ve heard is a very funny novel as well as one of great quality. One of my favourite things about the prize is how it always presents a balanced group of novels that encourage readers to try books they probably wouldn’t have read otherwise. I’m planning to read most of the list and hope to discover some great fiction I might not have got to otherwise.

A shortlist of six novels will be announced on April 22nd and the winner on June 3rd. What do you think of this year’s list? Any favourites you’ve already read or books you’re keen to now read?

The Women’s Prize for Fiction Shortlist 2019

I’ve took some time calming down from the shock of the shortlist decision for this year’s Women’s Prize for Fiction. Few people expected this particular group of novels! It was a lot of fun discovering what was on the list alongside Anna James which you can watch in this video we made together. But we were both stunned that two of our favourites “Ghost Wall” and “Lost Children Archive” weren’t included and I was really disappointed not to see one of my favourite novels from last year “Swan Song” on the shortlist. I’d also spent a lovely morning on Saturday discussing the longlist with a shadow panel I’m on that includes Antonia Honeywell and Eleanor Franzen. They were also big fans of Moss and Luiselli’s novels. Eleanor wrote a really impassioned response to the official shortlist on her blog here and Antonia spent a morning discussing the list and prizes on her Monday morning radio book show on Chiltern Voice. Our shadow group formed our own shortlist out of the longlisted novels which you can see in the photo of us here. Personally, I stand by our choices over the official ones selected.

Looking at the list as a whole, it’s great to see that it includes a racially diverse group of authors. Only one debut novel is included and the books were all put out by a variety of publishers. However, what’s most surprising is that the judges chose some novels with quite similar themes considering that both Barker and Miller’s novels are retelling of Greek myths from a female narrator’s point of view. Also, Evans and Jones’ novels deal with the breakdown of relationships in a modern time period. Usually the groups listed include a wider breadth of themes. Of course, looking at the novels’ subjects and styles more closely does reveal more variations. Aside from content and looking at reputation, it feels a bit disappointing that novels such as “Milkman”, “An American Marriage” and “Circe” which have all been so popular and sold so well should be getting more attention over lesser-known gems that I loved reading such as “Swan Song” and “Praise Song for the Butterflies”.

Antonia, Eleanor and I with the six novels (by Moss, Luiselli, McFadden, Broder, Greenberg-Jephcott and Miller) that we selected as our shadow panel shortlist.

It’s really tricky trying to guess what novel might win from this list. It’ll be quite significant if “Milkman” goes on to win having already won the Booker Prize last year. In a way it’s excellent that this novel which was fairly obscure has gone on to be one of the most talked about books in the past year thanks to these two book prizes. But I personally had some issues with the circular nature of the narrative style which made Burns’ novel drag for me. One of my personal favourites from this list at the moment would be “Circe” and I’m sure many readers will love it but if she won it’d be quite surprising since she’s won this prize before. It’d be quite a funny and lovely coincidence if “Ordinary People” won the Women’s Prize this year because at this book prize’s party last year I was speaking to Sarah Waters who mentioned that her favourite recent novel was Evans’ book. Of course, I’ve not read Braithwaite’s novel yet and not completely finished reading Evans’ either so I might still change my mind about my own favourite. I’m glad there’s more to discover and debate about these books. Nevertheless, considering the outcry from some people in reaction to the shortlist I think this year’s selection will go down as one of the most controversial in the prize’s history! What do you think of the list? Are you eager to read any that you haven’t yet?

The Women’s Prize for Fiction Longlist 2019

I’ve been greatly anticipating what might be longlisted for this year’s Women’s Prize – Anna and I had such fun speculating in our annual video. It’s great to see a diverse and varied group of novels listed! Not only are there some great books I was hoping to see such as “The Silence of the Girls” by Pat Barker, “Swan Song” by Kelleigh Greenberg-Jephcott, “Circe” by Madeline Miller, “Ghost Wall” by Sarah Moss and “Normal People” by Sally Rooney – but there are also some novels I’ve been wanting to read and others I know nothing about. So the list is the perfect balance of books I’m thrilled to see celebrated and others I’m now eager to explore.

More than anything I feel like many of the novels on this list will generate such interesting discussions. Although both “Ghost Wall” and “Normal People” have been so popular they have their critics as well. I feel like “The Pisces” and “Freshwater” will receive really mixed responses as well. I myself had a mixed reaction to “Milkman” as I’m one of its readers that found it a difficult book – not in being able to understand it, but it sometimes felt like a slog to read despite there being some stunningly insightful passages. After it won the Booker Prize it felt like some readers who loved it were annoyed by it being labelled as a “difficult” or “challenging” novel as if readers who felt this way were being lazy or failed to comprehend the narrative. I don’t think these descriptive terms are equivalent. There are many novels like those written by Marlon James I’d describe as “difficult” and “challenging” as well but I also think they’re brilliant. I simply felt that, while “Milkman” honestly has so many strengths and has powerful things to say, it wasn’t as enjoyable a reading experience for me. Nevertheless, I’d highly recommend everyone read “Milkman” and I’ll be eager to discuss it with you once you do. While I’m sure many people will have divergent opinions on the books longlisted I hope we can maintain a civilized discussion and respect other readers’ personal reactions to what they read even if we disagree.

Of the sixteen books listed, I’ve read seven and a half (I’m currently reading Luiselli’s novel.) After finishing this I’ll probably start by reading “An American Marriage” or “Ordinary People”. Which are you most intrigued to read first? Here’s the list with links to my reviews of the ones I’ve read so far:

The Silence of the Girls by Pat Barker

Remembered by Yvonne Battle-Felton

My Sister, the Serial Killer by Oyinkan Braithwaite

The Pisces by Melissa Broder

Milkman by Anna Burns

Freshwater by Akwaeke Emezi

Ordinary People by Diana Evans

Swan Song by Kelleigh Greenberg-Jephcott

An American Marriage by Tayari Jones

Number One Chinese Restaurant by Lillian Li

Bottled Goods by Sophie van Llewyn

Lost Children Archive by Valeria Luiselli

Praise Song for the Butterflies by Bernice L. McFadden

Circe by Madeline Miller

Ghost Wall by Sarah Moss

Normal People by Sally Rooney

The shortlist will be announced on April 29th and the winner on June 5th. What do you think of the list? Will you try to read them all or are there select ones you want to focus on?

Wuthering Heights by Emily Brontë

Reading two major classic novels written by women for the first time felt like the perfect way to bookend my reading of the entire Women’s Prize for Fiction 2018 longlist. I started with Mary Shelley’s “Frankenstein” and now I’ve ended with “Wuthering Heights”. These novels are also both included in the ‘Rediscover the Classic’ campaign I’ve curated and overseen for Jellybooks. Although both these novels and their famous characters are so ingrained in our cultural lexicon, I’ve been taken aback by the way their powerful narratives still gripped and surprised me. This is also the third novel I’ve read by the Brontë sisters after reading “Jane Eyre” for the first time several years ago and “Agnes Grey” last year. It’s interesting to think about how some parallels can be drawn between them but also how each author employs such different writing styles and has their own unique outlook. “Wuthering Heights” felt like it had the most complicated narrative form of all these books and some of the darkest content, but it’s made a big impact on me.

It's a good time to get swept up in Brontë fever with 'Brontë 200' happening. This is a five year programme celebrating the bicentenaries of the births of the four Brontë children (2018 marks Emily's 200th birthday). Recently it was announced stones engraved with new writing by Carol Ann Duffy, Jackie Kay, Jeanette Winterson and Kate Bush that commemorates the sisters will be placed in the walk between the sisters’ birthplace and the family parsonage. Not only does The Women's Prize organize events celebrating new authors, but they create opportunities to celebrate women's writing in general. So this week I also went to a wonderful event they held with a number of authors who paid tribute to the legacy of “Wuthering Heights” and they discussed the personal impact it’s had on them. It was so fascinating hearing the different perspectives on how much they were influenced by “Wuthering Heights” as teenagers and how their reading of the novel has changed over time. It was also noted how the themes, violence portrayed and style of the novel still feel so bold today.

Since I'm discussing “Wuthering Heights” in the context of The Women's Prize, I'd like to briefly draw some parallels I can see between Brontë's novel and books that were on the longlist. I have no idea whether these current authors were influenced by “Wuthering Heights” or not, but it's still interesting to look for connections. The way Brontë explores the line between romance and obsession/abuse and how it portrays the real bloody violence that results in a destructive relationship made me recall Kandasamy's extraordinary portrayal of an abusive marriage in “When I Hit You”. The rift between classes with the Lintons and the Earnshaws/Heathcliff and the question of who will control this rural land and houses felt reminiscent of the class struggle evident in Mozley's “Elmet”. The intense sense of claustrophobia and a family that hates each other trapped inside the farmhouse that is Wuthering Heights made me recall the toxic atmosphere in the house in Schmidt's “See What I Have Done”. The continuing impact of history that manifests in the presence of ghosts was also portrayed in Ward's “Sing, Unburied, Sing”. I don't know how much an in-depth comparison between these novels would yield, but it's nevertheless worth noting how Emily Brontë wrote about themes which are still relevant and being written about today.

Authors Kate Mosse, Dorothy Koomson, Juno Dawson & Louise Doughty at the Baileys Bar Women's Prize event on Wuthering Heights. 

It feels odd in a way coming to “Wuthering Heights” as a 39 year old man as this does seem like a novel that I ought to have first read as a teenager. In the discussion the other night, Juno Dawson noted how “Jane Eyre” seems like the perfect young adult novel but she didn't appreciate “Wuthering Heights” as much until reading it now. I might have had a similar reaction, but I like how the reality of reading Emily's novel defies the common conception that it is a great love story. The reality of Heathcliff and Catherine's lifelong romance is so much more twisted and bitter than a Romeo and Juliet story. Built within it is a rift between the born privilege and class aspirations of Catherine and the resented orphan Heathcliff. Rather than a love story, “Wuthering Heights” is more an extremely elaborate revenge tale where Heathcliff plays the long game to enact the wrath he feels at being so mistreated as a child and then slighted by the woman he loves. I sympathized with Heathcliff's anger over his outsider status, but of course I was also horrified by the monstrous way he acts and schemes to dominate the houses and all who inhabit them.

I must confess that I found the convoluted narrative structure a struggle for most of the first half. There is so much story within story where in some instances the present tenant Lockwood is being told a tale by the servant Nelly who is recounting a letter written by Isabella who is recalling an encounter she had. It made some parts difficult to follow, but this is a reason why it feels like rereading would yield a lot more and how it's worth really knowing the characters and the dynamic between them going into this novel. I know that this style of narration raises lots of interesting questions about how trustworthy the narrators are, but it does make it challenging to follow. In a way, I much preferred the second half of the novel which has to do with the second generation of Wuthering Heights and Thrushcross Grange. Here I could feel the resonance of all that came before and how children are drawn into and absorb the quarrels of past generations. It's also fascinating how the roles of characters are switched around in the new generation and how you can feel the internal battles these younger individuals have to reconcile the past. There are also passages which are deeply meditative with characters contemplating their positions and struggling to see how to carry on. The second half of the novel gives “Wuthering Heights” an epic feel and made it much more emotionally resonant for me than if the story had stopped at the end of the first half.

It struck me that as an orphan story “Wuthering Heights” is much bolder and more daring than a book like Dickens' “Oliver Twist”. Oliver is so wholly good and moral whereas Heathcliff becomes an embittered and destructive monster. It feels like Emily Brontë presents a much more complicated and nuanced portrait of good vs evil and she shows how, though there is a lot of reprehensible action and other people's resentment is taken out on innocent people, there are understandable reasons for such violence. I could empathize with the struggle of many characters in “Wuthering Heights” and particularly admired the way she portrayed Isabella. She could be dismissed as a superficial or comic individual, but I felt for her conflict, the way she gambled and lost, and the way she resolutely decided to remove herself from a toxic situation where everyone else remained. I'm excited now to look at some film adaptations of the book (although I know most only portray the first half of the novel) and I hope to read this novel again one day.

The Women's Prize 2018 Shortlist Predictions

It's been quite a journey dedicating myself to reading all sixteen novels on The Women's Prize 2018 longlist (although luckily I'd already happened to read a number of them.) But I was glad that this prize pushed me to read some books I've been meaning to get to and try a couple I don't think I would have read otherwise. Even the books on the list which I don't think come together fully like “Eleanor Oliphant is Completely Fine”, "The Idiot" or “Miss Burma” gave me a lot of interesting things to think about in subject matter and narrative style. Since I read “Sight” before its publication and loved it so much it's been particularly interesting hearing people's more critical reactions it. And I love that this prize introduced me to new novels like "The Trick to Time", "Home Fire" and "The Mermaid and Mrs Hancock" which I'm not sure I would have got to reading otherwise. 

Yesterday I met with The Women's Prize shadow panel and spent a fab few hours with Naomi, Eleanor and Antonia at a pub discussing every novel in depth. I was really surprised at how wildly different our opinions were on some books. There were some passionate pleas for novels and big detractors for others, but when it came to whittling down a final list it wasn't that difficult to conclude which ones we collectively agree are the best. However, my personal list would be slightly different. So I'll put photos of both below.

Have you been reading books on the longlist? Which are your favourites? Which don't you think deserve to be there? And which do you hope will be on the shortlist?

I'll be so excited to see what the Women's Prize judges have chosen for the actual shortlist tomorrow evening. 

The shadow panel's shortlist

My personal choices for the shortlist