The third part of Sattouf's graphic memoir begins when Riad is seven years old and living in a small village in Syria. While reading Parts 1 & 2 in this series, I've grown increasingly distressed about the uncomfortable position his mother's been cornered into living in a crumbling home with two small children far from her native France and in a culture very different from her own. Added to this is the father’s increasing stubbornness, reactionary views and snobbishness. It’s not surprising to find his parents locked into a battle which grows increasingly hostile as further developments are revealed over the course of this book. One of the most alarming changes in the book is Riad’s own domineering attitude directed at his younger brother Yahya. It shows how the violence he witnesses and (at times) experiences is shaping his character in a disturbing way. However, as with the previous books, these darker issues are presented in a way that allow you to feel the comic absurdity of the characters’ egotism and insecurities. It’s heartening to see as the series progresses that Riad isn’t a saint either. Nevertheless, I deeply feel for the precariousness of his position as a child in difficult circumstances who feels caught between Eastern and Western cultures.

It’s interesting how Riad’s role models have changed throughout the series. Where he first saw Georges Brassens as a God-like figure under his mother’s influence in Part 1, Riad is now drawn to Conan the Barbarian. It inspires him to the point of reproducing scenes from the film in drawings of his own and it’s poignant to see glimpses of the author’s artistic talent at its inception. The boy also is starting to test out different belief systems under his own initiative. Although he’s not asked to, he chooses to participate in Ramadan (albeit very briefly.) More subtly, there are dynamic conflicts portrayed in his parents’ lives. His father prides himself on establishing connections with an influential figure but it’s evident that he’s only being used for a specific purpose. The father also shows signs that he feels oppressed by his own past as he violently and spontaneously bursts out in anger against his own elderly mother at one point shouting “You ruined my life you stupid ignorant peasant!” It dismaying how his own evident conflicts between Eastern and Western cultures are being similarly imparted on his son.


Like in the previous books, the children Riad encounters frighteningly mimic the attitudes and prejudices of the adults. Riad’s cousins tease him for being Jewish when they notice he’s uncircumcised which betrays their fundamental misunderstanding about the way the religion is practiced and how their prejudice is truly rooted in pure naivety. This unfortunately leads to one of the most disturbing scenes in this volume when Riad’s father decides to “correct” his son’s physically to fit with the other boys in Syria. The author has a special talent for portraying some truly squeamish imagery. But casual violence isn’t limited to instances in Syria because when Riad returns to France for a brief period there is also a disturbing scene involving kittens. But, no less unsettling, is the portrayal of the erosive effect of living in stultifying circumstances for a long period of time. This affects Riad’s mother the worst. Her desultory days are spent piecing together an elaborate jigsaw puzzle of a scene from her family’s French port town as if meditating on the heritage and counter life she’s lost. It’s a welcome relief when she makes a fleeting connection with Riad’s aunt Khadija who shows herself to be both an ally and someone with innate hidden intelligence.

I find it touching how imagery of the toy bull which first made an appearance at the start of the series still continues to haunt Riad. This menacing beast continues to plague him in vividly depicted nightmares but, as Riad adopts figures who inspire him to establish his own individuality separate from the values of his parents and society, we can see him finding tools to combat his inner demons/fears. My concerns for Riad and other characters in the book haven’t been allayed by the developments in this volume (in fact, they’ve been heightened by the suspenseful ending to volume 3!) But it’s made me all the more curious to see how the series will continue. I was delighted to discover recently that a fourth volume has been published in French, but it hasn’t been translated yet. I eagerly await to discover what happens next in this cleverly wrought graphic memoir!

AuthorEric Karl Anderson
CategoriesRiad Sattouf