It’s become something of an annual tradition that my boyfriend and I read to each other David Sedaris’ ‘Santaland Diaries’ around Christmas time. So when we got his new book “Calypso” I gradually read him the entire collection over a period of several weeks. Sedaris’ hilariously black humour is perfect for being shared publicly and read aloud – which is why Sedaris has become so successful touring and reading aloud from the memoirist essays in his bestselling books. This, in turn, has fuelled new stories in some of his most recent essays included in this book which recount how he frequently travels to entertain audiences. This can result in funny and bizarre encounters with the public. One audience member even took him back to her house where she cut out a benign tumour from David’s body. He didn’t want this procedure to take place in a hospital because the law required they dispose of the tumour and David had an unfathomable compulsion to save his tumour to feed to a disfigured wild turtle. Such freakish desires and occurrences are commonplace in Sedaris’ writing. His unique point of view and sense of humour are so bombastic while being oddly relatable to make his essays relentlessly entertaining.
However, many of these most recent essays are also tinged with a sense of grief and a growing awareness of his own mortality. Many centre around family get-togethers Sedaris orchestrates after purchasing a vacation beach house on Emerald Isle, off the coast of North Carolina – a place he hilariously names The Sea Section. The family used to regularly take trips to a rented property in this area when David was growing up. Now he’s reinstated this tradition with the added bonus that, because he owns the property, he gets to set the rules and assign who takes each bedroom. But absent from these new family trips are his mother who died a number of years ago and sister Tiffany who committed suicide after a prolonged struggle with mental problems and substance abuse. David was estranged from her for a number of years after a sad final parting so David’s sense of grief is also mixed with feelings of guilt and frustration. It’s interesting how there’s been a shift in these essays which have become more reflective and sombre while still retaining his trademark sense of humour and appreciation for the absurd.
There’s also a political slant to some of the essays which reflect the widening gulf of conservative and liberal opinion where David’s elderly father frequently spouts Trump-inspired rhetoric. He’s an individual oddly similar to the reactionary grandfather in Barbara Kingsolver’s most recent novel “Unsheltered” and I wonder if this is because they represent an older contingent of US citizen particularly prone to the paranoid indignation of conservative chat shows. Anyway, adding to the dark sense of absence left by some family members in Sedaris’ essays is an awareness of how little time he has left with his father and how difficult it is for them to speak to each other. Nevertheless, encounters with his father are frequently very funny and the weird blend of personalities which include his stalwart partner Hugh and wacky sister Amy make for some absolutely hilarious scenes. It’s always a gas following David’s antics and his family experiences - all captured with his mordantly humorous slant on life.